Years ago in Ontario we ushered in a new conservative provincial government who brought with them something called the “Common Sense” revolution. As I was young and lived a fairly unstable lifestyle I noticed this government’s action’s consequences over time – the most damaging of which have never been resolved. Almost half my friends in my art community quit or took teaching jobs. The rest of us struggled on. Some moved away from a city like I did. Some left the country.
In the years following many of us tried to figure out how best to live our lives under a new paradigm where we all had to become art-terpreneurs, use small business as a winning example of how to be an artist (“you make product don’t you?” I was told) and be shoved through the degrading vortex of Richard Florida’s “creative cluster” zeitgeist. We were held up as an example of how to gentrify our city’s neighbourhoods and told over and over and over how much money the arts contributed to the overall economy. We were an economic engine! Oh goody, I even used the phrase myself.
Meanwhile in my universe incomes plummeted. And lots of peers scrambled back into academia where the thought was that at least there would be steady income. Now the art world runs on academic fumes; art galleries have given over to DJs & nightclubs, and the contemporary work being made seems to be about tech or a sociological context in which talk, consensus, convergence, conversation, and more talk seems to loom larger than anything hanging on a wall or sitting in the middle of a gallery. Language and ideas reign in the new contemporary field. For the rest of us not welcome in this new world order – we just tried to hang onto our studios and hoped for the best.
What we should have all been doing is safeguarding our art worlds against the tyranny of ideologues. We should have been shoring up public support and public money (not grant and council money but actual private sector money in the form of people purchasing art). We should have spent our time not aggressively making our supporters test themselves against a changing world – we should have spent our time reassuring them about art and its importance. We should have spent our time creating more art supporters not more artists.
Ahh but I learned in therapy not to ‘should’ people. As a community the arts in Canada has always worked in an uneasy balance between socialized ideals and nurturing millionaire art stars. I think however things began to get a bit lopsided when the Chair of the Canada Council started calling themselves a CEO. Remember when being a CEO was cool and now it’s public enemy #1? That didn’t take long.
But where to go from here? In Ontario we are now on the verge of a new “common sense” revolution in the form of a new conservative government, although their motto now is “Poor? Get a job.” Their transparent love of hate seems to be a selling point. Yes, and that is where we are in civilization, being run to a certain extent by people who think compassion, justice, fairness is all part of some liberal conspiracy to make everyone gay. And there are Nazis again now too.
Art now for who or what? I guess most of us have just reconciled ourselves with the fact that we will not be saved. We must survive. What gives me hope is the fact that many of my peers who have just steadily continued to work at what they do have gotten very, very good. This may be an epoch of ‘defiant beauty’ – I can only speak for painting at this point. All this “the world is ending, the world is ending” isn’t really having a negative impact on the work. And it never did.
I think the artists who just enjoy their work, make it regularly and do their best to get it out there for people to see are real leaders in this cultural climate. The hope is in the art – it always has been, it always will be.