Tag Archives: painting

Get a job

Victoria Ward
Victoria Ward

Years ago in Ontario we ushered in a new conservative provincial government who brought with them something called the “Common Sense” revolution. As I was young and lived a fairly unstable lifestyle I noticed this government’s action’s consequences over time – the most damaging of which have never been resolved. Almost half my friends in my art community quit or took teaching jobs. The rest of us struggled on. Some moved away from a city like I did. Some left the country.

In the years following many of us tried to figure out how best to live our lives under a new paradigm where we all had to become art-terpreneurs, use small business as a winning example of how to be an artist (“you make product don’t you?” I was told) and be shoved through the degrading vortex of Richard Florida’s “creative cluster” zeitgeist. We were held up as an example of how to gentrify our city’s neighbourhoods and told over and over and over how much money the arts contributed to the overall economy. We were an economic engine! Oh goody, I even used the phrase myself.

Our recent exhibition in Toronto. Here is where we engage with what I am going to start calling ‘defiant beauty’.

Meanwhile in my universe incomes plummeted. And lots of peers scrambled back into academia where the thought was that at least there would be steady income. Now the art world runs on academic fumes; art galleries have given over to DJs & nightclubs, and the contemporary work being made seems to be about tech or a sociological context in which talk, consensus, convergence, conversation, and more talk seems to loom larger than anything hanging on a wall or sitting in the middle of a gallery. Language and ideas reign in the new contemporary field. For the rest of us not welcome in this new world order – we just tried to hang onto our studios and hoped for the best.

What we should have all been doing is safeguarding our art worlds against the tyranny of ideologues. We should have been shoring up public support and public money (not grant and council money but actual private sector money in the form of people purchasing art). We should have spent our time not aggressively making our supporters test themselves against a changing world – we should have spent our time reassuring them about art and its importance. We should have spent our time creating more art supporters not more artists.

Ahh but I learned in therapy not to ‘should’ people. As a community the arts in Canada has always worked in an uneasy balance between socialized ideals and nurturing millionaire art stars. I think however things began to get a bit lopsided when the Chair of the Canada Council started calling themselves a CEO. Remember when being a CEO was cool and now it’s public enemy #1? That didn’t take long.

But where to go from here? In Ontario we are now on the verge of a new “common sense” revolution in the form of a new conservative government, although their motto now is “Poor? Get a job.” Their transparent love of hate seems to be a selling point. Yes, and that is where we are in civilization, being run to a certain extent by people who think compassion, justice, fairness is all part of some liberal conspiracy to make everyone gay. And there are Nazis again now too.

Art now for who or what? I guess most of us have just reconciled ourselves with the fact that we will not be saved. We must survive. What gives me hope is the fact that many of my peers who have just steadily continued to work at what they do have gotten very, very good. This may be an epoch of ‘defiant beauty’ – I can only speak for painting at this point. All this “the world is ending, the world is ending” isn’t really having a negative impact on the work. And it never did.

I think the artists who just enjoy their work, make it regularly and do their best to get it out there for people to see are real leaders in this cultural climate. The hope is in the art – it always has been, it always will be.

Advertisements

the wind and the rain

Victoria Ward
Victoria Ward

The wind and rain hit the side of the house so relentlessly and powerfully all night that I assumed when I would wake the next morning everything would be blown away. But as the sun came up over the field, beyond the garden and work shed it was business as usual; Molly the dog running about, birds flitting about on empty trees and the southern Ontario sky moodily moving clouds back and forth – grey, lavender, white and grey again. Morning in farm country. It is an entirely different kind of morning than in the forest.

I am in southern Ontario installing an art exhibition that is the consequence of a residency. The landscape, with farms and hollows is completely different than where I live which is foresty, rugged with Precambrian shield rocks and has hundreds of lakes. Where I am now there is one, huge great lake. But as it always is when we embark and then embed ourselves in different landscapes, we feel comfortable in our relative discomfort. I admit to being a home body; I like being in my jammies and reading and hanging out on my property and wandering up my road. So, when I travel and even if it is only somewhere else in Ontario it has an impact on my psyche.

Winter is coming. A foreboding tag line if there ever was one. The turn onto our road last winter – yeah, we get snow.

Ontario used to be a place with fairly consistent weather; rain in in the shoulder months, snow in winter and heat in summer. The sun always around and appearing regularly. Ontario weather is now no longer that consistent. Our summers are a mixed bag, sometimes wet and cold, sometimes too hot, our winter starts later and later and when the snow comes it comes in heaps and there seems to be crazier and crazier rain storms. This past year I witnessed flooding I had never seen before in lots of places in the province. It is alarming for sure and with the fact that my life has been built around trekking across the landscape to make and exhibit art, I have to say I am not filled with the greatest of optimism that this will become easier, in fact I think these ventures will become harder. Secretly though I also think that perhaps we might have to stay home more (quiet little yeah!).

Being a landscape inspired artist in an era of accelerating climate change isn’t exactly what I bargained or readied myself for. Listening to the rain last night in that 19th century farm house with its huge wooden doors and big heavy windows – the kind you can sit in on a pillow and create poetry in – was exactly where I hoped I would be one day when I was young girl obsessed with Mary Shelley and the Brontes. Unfortunately loving stormy nights doesn’t fill me with Gothic ecstasy anymore, they come too fast, too hard and go beyond drama into something far scarier and foreboding. Climate change is ruining my love of Goth. Storms now cause power outages and we can’t use our water – this isn’t romantic, it’s boring. Dark foreboding skies are still beautiful, but they can also mean that a heavy rain will probably make the door jamb in my house leak. So, this is where I am now. I moved into a gorgeous log cabin in the woods, a romantic setting if there ever was one only to have all the sensuality of violent weather drummed out of me. Climate change you suck.

I WISH I thought climate change was a hoax, I would probably be more able to pretend that on a stormy night I am sitting with the ghosts of Shelley and Byron trying scare each other until it stops raining. No such luck. I listen to the wind howl in a way that seems completely psychotic, not eerie or evocative, just simply psychotic and try to distract my fear of our roof coming off by watching Netflix and praying that the internet holds. Ok, I may be waxing a bit dramatic here. These storms aren’t relentlessly ubiquitous yet.

The thing is I have always loved the weather in Ontario and in all parts of Ontario. One year we got stuck in a blizzard and had to stay in our hotel an extra couple of nights outside of Cobalt on Lake Temiskaming. It was amazing really. Our hotel had a fireplace so, if the power went out we’d still be warm (it didn’t) but watching the snow sweep across the lake, it’s power and beauty an almost ethereal and translucent spectral event – made for a very memorable couple of days.

The morning after, strange swirling forms of vapour rose off the lake spiraling to the blasting sun as though the very air was giving blessings to the universe. I could not possibly make art our of such an event – there was no need really. We drove slowly away toward home and of course I was happy and relieved however changed, because the landscape, the weather and the movement through time that others refer to as travel had made its mark upon my soul. A reliable sense of things in our atmosphere seems to be vanishing – I shall hold its poetic power as long as I am able.